67. Treat density – in sound and in time – as a dynamic parameter in every voice in your composition, and in the ...

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Source: Composition Exercises (Tobias Reber).

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Treat density — in sound and in time — as a dynamic parameter

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Sibling cues from Composition Exercises (Tobias Reber):

• 12. Let a piece of gear guide the development of a piece of music
• 13. Bridge in 5/4
• 15. Treat shuffle ratio as a dynamic parameter
• 178. Invert the dynamics
• 18. the way a child sings – joyfully inaccurate, taking erratic turns, and like no one is listening
• 265. Replace all notes with rests and all rests with notes
• 329. Different sounds for different note values
• 39. Channel the sadness.
• 391. Do something the way it’s always been done
• 4. Invent (better yet: dream) a new word. Explain its meaning, etymology and a famous invented quote in which ...
• 439. Expression through abstraction
• 45. Create tension and release through careful manipulation of just one parameter
• 493. Let the talking do the music
• 50. Don’t use the Fibonacci sequence in your piece
• 505. Sing the truth in Falsetto
• 508. Loudatio. Howlelujah. Sighlence.
• 53. Read the shape and surface of an instrument – yours ...
• 542. Schrödinger Scat
• 67. Treat density – in sound and in time – as a dynamic parameter in every voice in your composition, and in the ...