Horizon of intent

Glossary

• Accompanist
• Agenda of Players
• Balance
• Bartle taxonomy
• Conductor
• Constructor
• Co-optionality
• Cue cards
• Dimension
• Downtime
• Emergence
• End Condition
• Event
• Event list
• Extended technique
• Fighting
• First Rule Of Music Games
• Horizon of intent
• Insert game
• Inspire cards
• Instrument preparation
• Judge
• King-making problem
• Leader problem
• Ludomusical dissonance
• Mechanic
• Music game
• Non-idiomatic music
• Open work
• Player
• Preparation
• Prompter (role)
• Roles of participants
• RPG
• Skill floor
• Speedrun
• Timmy, Johnny, and Spike
• Trading
• Transition
• Upgrade
• Victory condition
• Xenochrony
• Yes And

A set of desirable moves at the given stage of the game.

The term is taken from book of Brian Upton. It's used to show that when a Player has many moves (wide "horizon of action"), but only one of the moves is clearly good and the rest is bad, Player's choice is actually illusory. To enjoy choice Player has to have a set of moves to meaningfully choose from (sometimes called viable moves).