The list below shows all citations on the wiki (as long as the page uses the cite module for that purpose). The references should be in Chicago author-date formatting style. Links are usable but not highlighted. You can click on the entry's "scroll icon" to learn where it is cited and how to use it on your page.
📜 Babbitt, Milton. 1958. “Who cares if you listen?” High Fidelity, February: 38-40.
https://archive.org/details/rm_High-Fidelity-1958-Feb/page/n39/mode/2up?view=theater
📜 Bergstrøm-Nielsen, Carl. 2006. Sound is Multi-Dimensional: Parameter analysis as a tool for creative music making. https://vbn.aau.dk/da/publications/sound-is-multi-dimensional-parameter-analysis-as-a-tool-for-creat
📜 Biswas, Ansuman. 2011. “The music of what happens: mind, meditation, and music as movement.” In Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives, edited by David Clarke and Eric Clarke, 95-110. Oxford: Oxford University Press.
📜 Bloomfield, Daniel. 1910. Games and puzzles for the musical: a collection of the best games, puzzles, etc., for musical clubs and the home. Philadelphia: Theodore Presser. https://archive.org/details/gamespuzzlesform00bloo/page/n3
📜 Brackett, John Lowell. 2008. John Zorn: Tradition and Transgression. Bloomington: Indiana University Press.
📜 Brown, Harko. 2006. Traditional Maori Games. n.p. https://www.wavesouthcanterbury.co.nz/media/4693/tmgharkobrown160120.pdf
📜 Cardew, Cornelius. 1969. “A Scratch Orchestra: Draft Constitution.” The Musical Times, Vol. 110, No. 1516, 125th Anniversary Issue, June: 617-619.
📜 Chase, Stephen Timothy. 2006. “Improvised Experimental Music and the Construction of a Collaborative Aesthetic.” PhD diss., University of Sheffield. https://etheses.whiterose.ac.uk/14904/1/440929.pdf
📜 Cheng, William. 2014. Sound Play: Video Games and the Musical Imagination. Oxford: Oxford University Press.
📜 Chou, Gabrielle. 2023. “Play Makes Perfect: An Exploration of Game and Play Elements in Composition and Performance.” PhD diss., City University of New York.
https://academicworks.cuny.edu/cgi/viewcontent.cgi?article=6458&context=gc_etds
📜 Clarke, David and Eric Clarke, eds. 2011. Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives. Oxford: Oxford University Press.
📜 Corbett, John. 2016. A Listener's Guide to Free Improvisation, Chicago: University of Chicago Press.
📜 Cubitt, Edward, 2022. Music is Easy: A Flow-state Music Learning Method. Self-published, Edward Cubitt.
📜 DeNora, Tia. 2011. “Practical consciousness and social relation in MusEcological perspective.” In Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives, edited by David Clarke and Eric Clarke, 309-326. Oxford: Oxford University Press.
📜 Dolscheid, Sarah, Simge Çelik, Hasan Erkan, Aylin Küntay, Asifa Majid. 2020. “Space-pitch associations differ in their susceptibility to language.”, Cognition, Volume 196, March: 104073. https://doi.org/10.1016/j.cognition.2019.104073
📜 Dunbar, Julie C. 2011. Women Music Culture: An Introduction. New York: Routledge.
📜 Fleugelman, Andrew, ed. 1976. The New Games Book. San Francisco: The Headlands Press, Inc.
📜 Gable, David. 1985. “Ramifying Connections: An Interview with Pierre Boulez.” The Journal of Musicology 4(1): 105–13. https://doi.org/10.2307/763725
📜 Godøy, Rolf Inge. 2011. “Sound-action awareness in music.” In Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives, edited by David Clarke and Eric Clarke, 231-244. Oxford: Oxford University Press.
📜 Gołębiowski, Łukasz. 1831. Gry i zabawy różnych stanów w kraju całym, lub niektórych tylko prowincyach : umieszczony tu kulig czyli szlichtada, łowy, maszkary, muzyka, tańce, reduty, zapusty, ognie sztuczne, rusałki, sobótki i.t.p. Warszawa: N. Glücksberg.
📜 Hogg, Bennett. 2011. “Enacting consciousness, intertextuality, and musical free improvisation: deconstructing mythologies and finding connections.” In Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives, edited by David Clarke and Eric Clarke, 79-94. Oxford: Oxford University Press.
📜 Holler, Judith, Linda Drijvers, Afrooz Rafiee, Asifa Majid. 2022. “Embodied Space-pitch Associations are Shaped by Language.” Cognitive Science, 46: e13083. https://doi.org/10.1111/cogs.13083
📜 Huizinga, Johan. 1949 [1938]. Homo Ludens: A Study of Play Element in Culture. [Translated by Richard Francis Carrington Hull]. London, Boston and Henley: Routledge & Kegan Paul
📜 Malm, William P. 2000 [1959]. Traditional Japanese Music and Musical Instruments. Tokyo: Kodansha International.
📜 Mathieu, William Allaudin. 1991. The Listening Book: Discovering Your Own Music. Boulder, Colorado: Shambhala Publications.
📜 McGuiness, Andy and Katie Overy. 2011. “Music, consciousness, and the brain: music as shared experience of an embodied present.” In Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives, edited by David Clarke and Eric Clarke, 245-262. Oxford: Oxford University Press.
📜 Nattiez, Jean-Jacques. 1999. “Inuit Throat-Games and Siberian Throat Singing: A Comparative, Historical, and Semiological Approach.” Ethnomusicology, Autumn, Vol. 43, No. 3: 399-418. Urbana-Champaign: University of Illinois Press on behalf of Society for Ethnomusicology.
📜 Nyman, Michael. 1999 [1974]. Experimental Music: Cage and Beyond. Cambridge: Cambridge University Press.
📜 Peñalba Acitores, Alicia. 2011. “Towards a theory of proprioception as a bodily basis for consciousness in music.” In Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives, edited by David Clarke and Eric Clarke, 215-230. Oxford: Oxford University Press.
📜 Schwartz, Elliott and Daniel Godfrey. 1993. Music Since 1945: Issues, Materials, and Literature. New York: Schirmer Books.
📜 Shadow-Sky, Mathius. 2018. The Book of Ephemerodes. Berlin: Éditions AquAvivA.
📜 Sharp, John. 2015. Works of Game: On the Aesthetics of Games and Art. Cambridge, Massachusetts: MIT Press.
📜 Simms, Bryan R. 1986. Music of the twentieth century: style and structure. New York: Schirmer Books
📜 Stockhausen, Karlheinz. 1958. “Musik und Sprache.” Darmstädter Beiträge zur neuen Musik, 1: 57-82. Mainz.
📜 Stuart, Wendy Bross. 1974. "Coast Salish Gambling Music." Canadian Folk Music Journal, vol. 2: 3-12. https://cjtm.icaap.org/content/2/v2art2.html
📜 Szczelkun, Stefan. 2018. Improvisation Rites: from John Cage’s ’Song Books’ to the Scratch Orchestra’s ‘Nature Study Notes’. Collective practices 2011-2017. London: Routine Art Co.
📜 Upton, Brian. 2015 The Aesthetic of Play. Cambridge, Massachusetts: MIT Press.
📜 Watkins, Glenn. 1988. Soundings: Music in the Twentieth Century. New York: Schirmer Books.
📜 Weiss, Philipp. 2017. “Game Pieces and Game Elements.” Master's Thesis, Royal Conservatoire The Hague. http://sonology.org/wp-content/uploads/2020/04/Thesis-Philipp_Weiss-Final.pdf
📜 Williams, Alastair. 1995. New Music and the Claims of Modernity. New York: Routledge.
📜 Xenakis, Iannis. 1971. Formalized Music: Thought and Mathematics in Composition. Bloomington: Indiana University Press.
There are 43 references defined in this module so far.
Included in Study set/collection.