References

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📜 Adamowicz, Elza. 2005. Surrealist Collage in Text and Image: Dissecting the Exquisite Corpse. Cambridge: Cambridge University Press.

📜 Barthes, Roland. 1971. Image Music Text. Translated by Stephen Heath. London: Fontana Press.

📜 Bergstrøm-Nielsen, Carl. 2006. Sound is Multi-Dimensional: Parameter analysis as a tool for creative music making. n.p. https://vbn.aau.dk/da/publications/sound-is-multi-dimensional-parameter-analysis-as-a-tool-for-creat

📜 Bergstrøm-Nielsen, Carl. 2017. “RABR Analysis – Rating Degrees of Openness in Experimental Repertory”. Preprint. https://vbn.aau.dk/da/publications/rabr-analysis-rating-degrees-of-openness-in-experimental-repertor

📜 Biswas, Ansuman. 2011. “The music of what happens: mind, meditation, and music as movement.” In Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives, edited by David Clarke and Eric Clarke, 95-110. Oxford: Oxford University Press.

📜 Boal, Augusto. 2002. Games for Actors and Non-Actors. Translated by Andrew Jackson. London: Routledge

📜 Borgo, David. 2022. Sync or Swarm: Improvising Music in a Complex Age, Revised edition. New York: Bloomsbury Academic.

📜 Brotchie, Alistair. 1995. A Book of Surrealist Games. Boston & London: Shambhala Publications.

📜 Bryars, Gavin, Christopher Hobbs, and Michael Nyman. 1975. Experimental Music Catalogue 1975, London: Experimental Music Catalogue

📜 Cage, John. 1973 [1961]. Silence. Middletown, Connecticut: Wesleyan University Press.

📜 Caillois, Roger. 2001 [1958]. Man, Play and Games. Translated by Meyer Barash. Urbana and Chicago: University of Illinois Press

📜 Cardew, Cornelius. 1969. “A Scratch Orchestra: Draft Constitution.” The Musical Times, Vol. 110, No. 1516, 125th Anniversary Issue, June: 617-619.

📜 Cox, Christoph and Daniel Warner, eds. 2004. Audio Culture: Readings in Modern Music. New York: Continuum

📜 Cubitt, Edward, 2022. Music is Easy: A Flow-state Music Learning Method. Self-published, Edward Cubitt.

📜 DeNora, Tia. 2011. “Practical consciousness and social relation in MusEcological perspective.” In Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives, edited by David Clarke and Eric Clarke, 309-326. Oxford: Oxford University Press.

📜 DiPiero, Dan. 2022. Contingent Encounters: Improvisation In Music and Everyday Life. Ann Arbor, Michigan: University of Michigan Press. https://doi.org/10.3998/mpub.12066852.

📜 Dolscheid, Sarah, Simge Çelik, Hasan Erkan, Aylin Küntay, and Asifa Majid. 2020. “Space-pitch associations differ in their susceptibility to language.”, Cognition, Volume 196, March: 104073. https://doi.org/10.1016/j.cognition.2019.104073

📜 Eco, Umberto. 1989 [1968]. The Open Work. Translated by Anna Cancogni. Cambridge, Massachusetts: Harvard University Press.

📜 Flanagan, Mary. 2009. Critical Play: Radical Game Design. Cambridge, Massachusetts: MIT Press.

📜 Fleugelman, Andrew, ed. 1976. The New Games Book. San Francisco: The Headlands Press, Inc.

📜 Flusser, Elisabeth. 1983. “Approche du Jeu Musical.” Thesis for the musician-animator diploma, Chalon/Saone.

📜 Friedman, Ken 2009. “Events and the Exquisite Corpse.” In The Exquisite Corpse: Chance and Collaboration in Surrealism’s Parlor Game, edited by Kochhar-Lindgren, Kanta, Davis Schneiderman, and Tom Denlinger, 49-81. Lincoln & London: University of Nebraska Press.

📜 Friedman, Ken, Owen Smith, and Lauren Sawchyn. 2002. The FluxusPerformanceWorkbook, A Performance Research e-publication

📜 Gable, David. 1985. “Ramifying Connections: An Interview with Pierre Boulez.” The Journal of Musicology 4(1): 105–13. https://doi.org/10.2307/763725

📜 Godøy, Rolf Inge. 2011. “Sound-action awareness in music.” In Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives, edited by David Clarke and Eric Clarke, 231-244. Oxford: Oxford University Press.

📜 Gołębiowski, Łukasz. 1831. Gry i zabawy różnych stanów w kraju całym, lub niektórych tylko prowincyach : umieszczony tu kulig czyli szlichtada, łowy, maszkary, muzyka, tańce, reduty, zapusty, ognie sztuczne, rusałki, sobótki i.t.p. Warszawa: N. Glücksberg.

📜 Hogg, Bennett. 2011. “Enacting consciousness, intertextuality, and musical free improvisation: deconstructing mythologies and finding connections.” In Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives, edited by David Clarke and Eric Clarke, 79-94. Oxford: Oxford University Press.

📜 Holler, Judith, Linda Drijvers, Afrooz Rafiee, and Asifa Majid. 2022. “Embodied Space-pitch Associations are Shaped by Language.” Cognitive Science, 46: e13083. https://doi.org/10.1111/cogs.13083

📜 Huizinga, Johan. 1949 [1938]. Homo Ludens: A Study of Play Element in Culture. [Translated by Richard Francis Carrington Hull]. London, Boston and Henley: Routledge & Kegan Paul‎

📜 Jannarone, Kimberly. 2009. “Exquisite Theater.” In The Exquisite Corpse: Chance and Collaboration in Surrealism’s Parlor Game, edited by Kochhar-Lindgren, Kanta, Davis Schneiderman, and Tom Denlinger, 221-242. Lincoln & London: University of Nebraska Press.

📜 Joyce, Michael. 2009. “«together in their dis-harmony»: Internet Collaboration and Le Cadavre Exquis.” In The Exquisite Corpse: Chance and Collaboration in Surrealism’s Parlor Game, edited by Kochhar-Lindgren, Kanta, Davis Schneiderman, and Tom Denlinger, 164-186. Lincoln & London: University of Nebraska Press.

📜 Juul, Jesper. 2002. “The Open and the Closed: Games of Emergence and Games of Progression.” In Computer Games and Digital Cultures Conference Proceedings, edited by Frans Mäyra, 323–329. Tampere: Tampere University Press.

📜 Kern, Anne M. 2009. “From One Exquisite Corpse (in)to Another: Influences and Transformations from Early to Late Surrealist Games.” In The Exquisite Corpse: Chance and Collaboration in Surrealism’s Parlor Game, edited by Kochhar-Lindgren, Kanta, Davis Schneiderman, and Tom Denlinger, 3-28. Lincoln & London: University of Nebraska Press.

📜 Kim, Hey-jung. 2014. Nongak: Community Band Music, Dance, and Rituals in the Republic of Korea. Translated by Park Jung-eun. Seoul: Korea Cultural Heritage Foundation

📜 Kochhar-Lindgren, Kanta, Davis Schneiderman, and Tom Denlinger, eds. 2009. The Exquisite Corpse: Chance and Collaboration in Surrealism’s Parlor Game., Lincoln & London: University of Nebraska Press.

📜 Laxton, Susan. 2009. “This Is Not a Drawing.” In The Exquisite Corpse: Chance and Collaboration in Surrealism’s Parlor Game, edited by Kochhar-Lindgren, Kanta, Davis Schneiderman, and Tom Denlinger, 29-48. Lincoln & London: University of Nebraska Press.

📜 Malm, William P. 2000 [1959]. Traditional Japanese Music and Musical Instruments. Tokyo: Kodansha International.

📜 Mathieu, William Allaudin. 1991. The Listening Book: Discovering Your Own Music. Boulder, Colorado: Shambhala Publications.

📜 McGuiness, Andy and Katie Overy. 2011. “Music, consciousness, and the brain: music as shared experience of an embodied present.” In Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives, edited by David Clarke and Eric Clarke, 245-262. Oxford: Oxford University Press.

📜 Miller, George A. 1956. “The magical number seven, plus or minus two: Some limits on our capacity for processing information.” Psychological Review, 63(2): 81–97.

📜 Nattiez, Jean-Jacques. 1999. “Inuit Throat-Games and Siberian Throat Singing: A Comparative, Historical, and Semiological Approach.” Ethnomusicology, Autumn, Vol. 43, No. 3: 399-418. Urbana-Champaign: University of Illinois Press on behalf of Society for Ethnomusicology.

📜 Peñalba Acitores, Alicia. 2011. “Towards a theory of proprioception as a bodily basis for consciousness in music.” In Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives, edited by David Clarke and Eric Clarke, 215-230. Oxford: Oxford University Press.

📜 Salen, Katie, and Eric Zimmerman. 2003. Rules of Play: Game Design Fundamentals. Cambridge, Massachusetts: MIT Press.

📜 Schaffner, Ingrid. 2009 [1993]. “The Corpse Encore.” In The Exquisite Corpse: Chance and Collaboration in Surrealism’s Parlor Game, edited by Kochhar-Lindgren, Kanta, Davis Schneiderman, and Tom Denlinger, 107-126. Lincoln & London: University of Nebraska Press.

📜 Schwartz, Elliott and Daniel Godfrey. 1993. Music Since 1945: Issues, Materials, and Literature. New York: Schirmer Books.

📜 Sharp, John. 2015. Works of Game: On the Aesthetics of Games and Art. Cambridge, Massachusetts: MIT Press.

📜 Stockhausen, Karlheinz. 1958. “Musik und Sprache.” Darmstädter Beiträge zur neuen Musik, 1: 57-82. Mainz.

📜 Stuart, Wendy Bross. 1974. "Coast Salish Gambling Music." Canadian Folk Music Journal, vol. 2: 3-12. https://cjtm.icaap.org/content/2/v2art2.html

📜 Upton, Brian. 2015 The Aesthetic of Play. Cambridge, Massachusetts: MIT Press.

📜 Varèse, Edgard and Chou Wen-chung. 1966. “The Liberation of Sound.” Perspectives of New Music, Vol. 5, No. 1, Autumn - Winter: 11-19.

📜 Williams, Alastair. 1995. New Music and the Claims of Modernity. New York: Routledge.


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