Include: Timeline for all years 1900--
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John Cage

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George Brecht

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Pauline Oliveros
Walter Thompson

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Alison Knowles

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Christian Wolff

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Carole Finer
Cornelius Cardew

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Dick Higgins
Frederic Rzewski

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Peter Brötzmann

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Trevor Wishart

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Howard Skempton
Lawrence ‘Butch’ Morris

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Richard Reason
Jeffrey Agrell
Alan Brett

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Christopher Hobbs

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Elliott Sharp
Carl Bergstrøm-Nielsen
Bobby McFerrin

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John Zorn

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📜 Caillois, Roger. 2021 [1958]. Man, Play and Games. Translated by Meyer Barash. Urbana and Chicago: University of Illinois Press
📜 Stockhausen, Karlheinz. 1958. “Musik und Sprache.” Darmstädter Beiträge zur neuen Musik, 1: 57-82. Mainz.
📜 Babbitt, Milton. 1958. “Who cares if you listen?” High Fidelity, February: 38-40.
https://archive.org/details/rm_High-Fidelity-1958-Feb/page/n39/mode/2up?view=theater

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Mathius Shadow-Sky
Bruno Faidutti
Henrik Ehland Rasmussen
Michael Pisaro

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📜 Cage, John. 1973 [1961]. Silence. Middletown, Connecticut: Wesleyan University Press.

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Makoto Nomura

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📜 Eco, Umberto. 1989 [1968]. The Open Work. Translated by Anna Cancogni. Cambridge, Massachusetts: Harvard University Press.

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📜 Cardew, Cornelius. 1969. “A Scratch Orchestra: Draft Constitution.” The Musical Times, Vol. 110, No. 1516, 125th Anniversary Issue, June: 617-619.

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📜 Barthes, Roland. 1971. Image Music Text. Translated by Stephen Heath. London: Fontana Press.
📜 Xenakis, Iannis. 1971. Formalized Music: Thought and Mathematics in Composition. Bloomington: Indiana University Press.

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📜 Stuart, Wendy Bross. 1974. "Coast Salish Gambling Music." Canadian Folk Music Journal, vol. 2: 3-12. https://cjtm.icaap.org/content/2/v2art2.html
📜 Nyman, Michael. 1999 [1974]. Experimental Music: Cage and Beyond. Cambridge: Cambridge University Press.

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📜 Bryars, Gavin, Christopher Hobbs, and Michael Nyman. 1975. Experimental Music Catalogue 1975, London: Experimental Music Catalogue

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📜 Fleugelman, Andrew, ed. 1976. The New Games Book. San Francisco: The Headlands Press, Inc.

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Anna Meredith

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Cornelius Cardew

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📜 Flusser, Elisabeth. 1983. “Approche du Jeu Musical.” Thesis for the musician-animator diploma, Chalon/Saone.

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Holly Gramazio

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📜 Mathieu, William Allaudin. 1991. The Listening Book: Discovering Your Own Music. Boulder, Colorado: Shambhala Publications.

John Cage

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📜 Brotchie, Alistair. 1995. A Book of Surrealist Games. Boston & London: Shambhala Publications.
📜 Williams, Alastair. 1995. New Music and the Claims of Modernity. New York: Routledge.

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Dick Higgins

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📜 Nattiez, Jean-Jacques. 1999. “Inuit Throat-Games and Siberian Throat Singing: A Comparative, Historical, and Semiological Approach.” Ethnomusicology, Autumn, Vol. 43, No. 3: 399-418. Urbana-Champaign: University of Illinois Press on behalf of Society for Ethnomusicology.

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📜 Salen, Katie, and Eric Zimmerman. 2003. Rules of Play: Game Design Fundamentals. Cambridge, Massachusetts: MIT Press.

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📜 Cox, Christoph and Daniel Warner, eds. 2004. Audio Culture: Readings in Modern Music. New York: Continuum

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📜 Adamowicz, Elza. 2005. Surrealist Collage in Text and Image: Dissecting the Exquisite Corpse. Cambridge: Cambridge University Press.
📜 Havriliv, Mark. 2005. “Playing with Audio: The Relationship Between Music and Games.” Master's thesis, University of Wollongong.
https://ro.uow.edu.au/cgi/viewcontent.cgi?article=1761&context=theses

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📜 Brown, Harko. 2006. Traditional Maori Games. n.p.
https://www.wavesouthcanterbury.co.nz/media/4693/tmgharkobrown160120.pdf
📜 Chase, Stephen Timothy. 2006. “Improvised Experimental Music and the Construction of a Collaborative Aesthetic.” PhD diss., University of Sheffield.
https://etheses.whiterose.ac.uk/14904/1/440929.pdf
📜 Bergstrøm-Nielsen, Carl. 2006. Sound is Multi-Dimensional: Parameter analysis as a tool for creative music making. https://vbn.aau.dk/da/publications/sound-is-multi-dimensional-parameter-analysis-as-a-tool-for-creat

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📜 Kochhar-Lindgren, Kanta, Davis Schneiderman, and Tom Denlinger, eds. 2009. The Exquisite Corpse: Chance and Collaboration in Surrealism’s Parlor Game., Lincoln & London: University of Nebraska Press.
📜 Flanagan, Mary. 2009. Critical Play: Radical Game Design. Cambridge, Massachusetts: MIT Press.

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📜 Smith, Julian. 2010. “Reunion: Duchamp, Cage and Ludology.” Master's thesis, York University. https://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR62326.PDF

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Lawrence ‘Butch’ Morris

📜 Upton, Elizabeth Randell. 2013. Music and Performance in Later Middle Ages, New York: Pelgrave Macmillan.
📜 Hermans, Phillip. 2013. “Cooperation and Competition in Music Composition.” Master's thesis, Dartmouth College. http://philliphermans.com/scores/Hermans%20MA%20Thesis.pdf

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📜 Cheng, William. 2014. Sound Play: Video Games and the Musical Imagination. Oxford: Oxford University Press.

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📜 Schleuse, Paul. 2015. Singing Games in Early Modern Italy: The Music Books of Orazzio Vecchi. Bloomington and Indianapolis: Indiana University Press
📜 Upton, Brian. 2015 The Aesthetic of Play. Cambridge, Massachusetts: MIT Press.
📜 Sharp, John. 2015. Works of Game: On the Aesthetics of Games and Art. Cambridge, Massachusetts: MIT Press.

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📜 Bergstrøm-Nielsen, Carl. 2017. “RABR Analysis – Rating Degrees of Openness in Experimental Repertory”. Preprint. https://vbn.aau.dk/da/publications/rabr-analysis-rating-degrees-of-openness-in-experimental-repertor
📜 Weiss, Philipp. 2017. “Game Pieces and Game Elements.” Master's thesis, Royal Conservatoire The Hague. http://sonology.org/wp-content/uploads/2020/04/Thesis-Philipp_Weiss-Final.pdf

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📜 DiPiero, Dan. 2022. Contingent Encounters: Improvisation In Music and Everyday Life. Ann Arbor, Michigan: University of Michigan Press. https://doi.org/10.3998/mpub.12066852.
📜 Cubitt, Edward, 2022. Music is Easy: A Flow-state Music Learning Method. Self-published, Edward Cubitt.

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