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  1. Flirty in Mood Cards
  2. Forgetful in Mood Cards
  3. Guilty in Mood Cards
  4. Happy in Mood Cards
  5. Heartbroken in Mood Cards
  6. High in Mood Cards
  7. Holy in Mood Cards
  8. Hopeful in Mood Cards
  9. Hungry in Mood Cards
  10. Intense in Mood Cards
  11. Jealous in Mood Cards
  12. Lazy in Mood Cards
  13. Lost in Mood Cards
  14. Loved in Mood Cards
  15. Moody in Mood Cards
  16. Morbid in Mood Cards
  17. Numb in Mood Cards
  18. Paranoid in Mood Cards
  19. Patient in Mood Cards
  20. Sad in Mood Cards
  21. Scared in Mood Cards
  22. Sick in Mood Cards
  23. Silly in Mood Cards
  24. Smart in Mood Cards
  25. Sorry in Mood Cards
  26. Surprised in Mood Cards
  27. Tired in Mood Cards
  28. Uncomfortable in Mood Cards
  29. Unwanted in Mood Cards
  30. Violated in Mood Cards
  31. Worthless in Mood Cards
  32. State your name, sex, occupation and age in as regimented a voice as you can manage in Matthew Lee Knowles
  33. Find a medium sized/weighted object and drop it, pick it up with ... in Matthew Lee Knowles
  34. Say a word beginning with a letter 'a' in Matthew Lee Knowles, 100 Events, no 35
  35. Make one high sound, then one low sound in Matthew Lee Knowles, 100 Events, no 39
  36. Make two high sounds and two low sounds in Matthew Lee Knowles, 100 Events, no 39
  37. Whisper the alphabet, but shout these letters: A, C, E, G, H, J, N, O in Matthew Lee Knowles
  38. Make five different sounds with your hands over your face in Matthew Lee Knowles
  39. If you can whistle, do so in Matthew Lee Knowles
  40. Speak a sentence, with each word being in a different language in Matthew Lee Knowles
  41. Say out loud the longest word you can think of in Matthew Lee Knowles
  42. Speak only using vowels, as quickly as possible in Matthew Lee Knowles
  43. Tell a beautifully absurd joke, in the direction of a month in Matthew Lee Knowles
  44. Using your hands, create sound in Matthew Lee Knowles
  45. Oscillate between a high sound and a low sound in Matthew Lee Knowles
  46. Shout "Eureka!" then start crying in Matthew Lee Knowles
  47. Make an anagram out of your name in Matthew Lee Knowles
  48. Touch the material you are reading this sentence from in Matthew Lee Knowles
  49. Mlk 530 214 in Matthew Lee Knowles
  50. See how many sounds you can make with your mouth in Matthew Lee Knowles
  51. Think about number seven. Say it aloud six times in Matthew Lee Knowles
  52. Mlk 530 375 in Matthew Lee Knowles
  53. Say out loud as many colours as you can think of as quickly as possible in Matthew Lee Knowles
  54. Say what you really think in Matthew Lee Knowles
  55. Mlk 830 Ccccc in Matthew Lee Knowles
  56. Mlk 830 Cpiyh in Matthew Lee Knowles
  57. Mlk 830 Malfas in Matthew Lee Knowles
  58. Recite the alphabet in the manner of a young child, making ... in Matthew Lee Knowles
  59. Improvise a limerick ... in Matthew Lee Knowles
  60. Read the following sentence as if English ... in Matthew Lee Knowles
  61. Sing a nursery rhyme replacing ... in Matthew Lee Knowles
  62. Invent your own word and use it convincingly in a sentence in Matthew Lee Knowles
  63. Sign the highest note you can think of then think about the lowest ... in Matthew Lee Knowles
  64. Cough loudly in Matthew Lee Knowles
  65. Talk as a pirate might, for as long as you wish in Matthew Lee Knowles
  66. Make a name out of the following letters: OHENMJCRIRK in Matthew Lee Knowles
  67. Solve: 2+2 in Matthew Lee Knowles
  68. Recite a line of a poem, very quickly in Matthew Lee Knowles
  69. Mlk Ase 240 in Matthew Lee Knowles
  70. Keep breathing, in, out, in, out, in in Matthew Lee Knowles
  71. Clap quietly in Matthew Lee Knowles
  72. Mlk E Aaq in Matthew Lee Knowles
  73. Mlk E Ct100 in Matthew Lee Knowles
  74. Mlk E Ehmbog in Matthew Lee Knowles
  75. Mlk E Ihsose in Matthew Lee Knowles
  76. Mlk E Isaway in Matthew Lee Knowles
  77. Sing a nursery rhyme backwards in Matthew Lee Knowles
  78. Mlk E Sapoasbc in Matthew Lee Knowles
  79. Mlk E Sasol in Matthew Lee Knowles
  80. Mlk E Sitsob in Matthew Lee Knowles
  81. Mlk E Solemoyffn in Matthew Lee Knowles
  82. Mlk E Sreoes in Matthew Lee Knowles
  83. Mlk E Ssp in Matthew Lee Knowles
  84. Mlk Sstm in Matthew Lee Knowles
  85. Mlk E Swv in Matthew Lee Knowles
  86. Mlk E Syfl in Matthew Lee Knowles
  87. Matthew Lee Knowles, Eleven Text Scores For Pauline Oliveros, Two ... in Matthew Lee Knowles
  88. Mlk Ewcarfato Dmc in Matthew Lee Knowles
  89. Mlk Fdf in Matthew Lee Knowles
  90. tapping with flat palm over heart, imitating a slow heartbeat in Matthew Lee Knowles
  91. Mlk Iatilhsimg Aiim in Matthew Lee Knowles
  92. Mlk Iatilhsimg Tiaqaicdi in Matthew Lee Knowles
  93. Mlk Iatilhsimg Ymesas in Matthew Lee Knowles
  94. Mlk Sm Scs in Matthew Lee Knowles
  95. Mlk Sm Shs in Matthew Lee Knowles
  96. Mlk Sm Sms in Matthew Lee Knowles
  97. Light timbres in Mutual Prescriptions series
  98. Dark timbres in Mutual Prescriptions series
  99. Mixed timbres in Mutual Prescriptions series
  100. Interweawing timbres (making a pattern together) in Mutual Prescriptions series
  101. Like classical music in Mutual Prescriptions series
  102. Like popular music in Mutual Prescriptions series
  103. Like experimental music in Mutual Prescriptions series
  104. Like electronic music in Mutual Prescriptions series
  105. Very long sustained tones (more than 10 seconds) in Mutual Prescriptions series
  106. Sustained tones of middle durations (1-3 seconds) in Mutual Prescriptions series
  107. Extremely short tones (under and much under 1 second; pointillistic) in Mutual Prescriptions series
  108. Mixed durations in Mutual Prescriptions series
  109. Pianissimo in Mutual Prescriptions series
  110. Forte in Mutual Prescriptions series
  111. Piano with sforzandi (=sudden strong, short accents) in Mutual Prescriptions series
  112. Individually making sudden changes between different or contrasting, unchanging levels ("terraces") in Mutual Prescriptions series
  113. Individual slow crescendi and diminuendi as well as some passages having a constant level in Mutual Prescriptions series
  114. Individual fast crescendi and diminuendi as well as some passages having a constant level in Mutual Prescriptions series
  115. Individual both slow and fast crescendi and diminuendi as well as some passages having a constant level in Mutual Prescriptions series
  116. Various individual changes, both sudden and gradual (and also some passages having a constant level) in Mutual Prescriptions series
  117. Melodies in Mutual Prescriptions series
  118. Motifs in Mutual Prescriptions series
  119. Patterns in Mutual Prescriptions series
  120. Something else in Mutual Prescriptions series
  121. Monumentally slow in Mutual Prescriptions series
  122. Very fast in Mutual Prescriptions series
  123. Slow, gradually becoming fast (accellerando) in Mutual Prescriptions series
  124. Fast, gradually becoming monumentally slow (ritardando) in Mutual Prescriptions series
  125. 6. Release The Beast in Music Weeklies
  126. 15. Childhood Memories in Music Weeklies
  127. 17. Atlantis in Music Weeklies
  128. 23. Corporate in Music Weeklies
  129. 24. Rainbows and Unicorns in Music Weeklies
  130. 29. 11/16 Time Signature in Music Weeklies
  131. 30. Sound of Colors in Music Weeklies
  132. 32. Summer Vibes in Music Weeklies
  133. 77. Audio Vacation in Music Weeklies
  134. 94. Exorcism in Music Weeklies
  135. 111. New As Old in Music Weeklies
  136. 112. Old As New in Music Weeklies
  137. 115. Vampires in Music Weeklies
  138. 123. Bubbles in Music Weeklies
  139. 126. Cheesy in Music Weeklies
  140. 162. Then VS Now 👹 // Describe musically your hometown first as the child you were, then as you see it now in Music Weeklies
  141. 169. Not A Fan // Write a piece in a style/genre you don't normally enjoy in Music Weeklies
  142. Ask Your Body in Oblique Strategies
  143. Be Dirty in Oblique Strategies
  144. Be Extravagant in Oblique Strategies
  145. Breathe More Deeply in Oblique Strategies
  146. Cascades in Oblique Strategies
  147. Change Instrument Roles in Rule Cards
  148. Convert a melodic element into a rhythmic element in Oblique Strategies
  149. Decorate, decorate in Oblique Strategies
  150. Play a riff with a strong sound at its last measure in Polyfill
  151. Play a soft sound, lasting 5 seconds in Perception 4
  152. Pair: Click (1) in Pair Cues
  153. Pair: Click (2) in Pair Cues
  154. Pair: Clap 3-4 (1) in Pair Cues
  155. Pair: Clap 3-4 (2) in Pair Cues
  156. Pair: Laps 5 in Pair Cues
  157. Pair: Laps 5 (applause) in Pair Cues
  158. Pair: Laps 7 in Pair Cues
  159. Pair: Laps 7 (applause) in Pair Cues
  160. Pair: Stomp-Clap (stomp) in Pair Cues
  161. Pair: Stomp-Clap (clap) in Pair Cues
  162. Pair: Pattern 1 in Pair Cues
  163. Pair: Pattern 2 in Pair Cues
  164. Pair: Solo (odd) in Pair Cues
  165. Plot Crossline in Dimensional Exercises
  166. Plot Down Up in Dimensional Exercises
  167. Plot Down Up Down in Dimensional Exercises
  168. Plot Up Down in Dimensional Exercises
  169. Plot Up Down Up in Dimensional Exercises
  170. P-S-Rock: Paper in P-S-Rock
  171. P-S-Rock: Rock in P-S-Rock
  172. P-S-Rock: Scissors in P-S-Rock
  173. Question in Random score
  174. Play a 4/4 beat in Rhythm Ball
  175. At any time, someone shouldn't play in Rule Cards
  176. Don't repeat anything in Rule Cards
  177. With trills or vibrato in Rule Cards
  178. Play a solo of 2 notes and hold the second note in Staircase
  179. Play a solo of 3 notes and hold the third note in Staircase
  180. Play a solo of 7 notes and hold the seventh note in Staircase
  181. Sound Collage Game Board - A4 in Sound Collage Game Board
  182. Sound Collage Game Board - A5 in Sound Collage Game Board
  183. Sound Collage Board - A6 in Sound Collage Game Board
  184. Scratch: 038 in TMTTR38
  185. Deviation through emphasis, decoration, contradiction in HSDN01
  186. Introduction of the pulse in HSDN01
  187. Breast-beating, teeth-gnashing, groaning and wailing in CCFR102
  188. If you must do something imitate bugle calls in CCFR102
  189. Scratch 153 in SS153 Fire Comes From Heaven
  190. Play short, loud bursts of sound in CHTIGR20
  191. Play short, soft bursts of sound in CHTIGR20
  192. Play long stretches of sound with much activity in CHTIGR20
  193. Play long stretches of sound with little activity in CHTIGR20
  194. Play very little in CHTIGR20
  195. Play musical notes, carefully chosen in CHTIGR20
  196. Play musical notes, freely chosen in CHTIGR20
  197. Play noises, carefully chosen in CHTIGR20
  198. Play noises, freely expressed in CHTIGR20
  199. Play any old thing in CHTIGR20
  200. Play an instrument in your possession that no-one else possesses in CHTIGR20
  201. Play an instrument or object in the room of which there is only one in CHTIGR20
  202. Play an instrument which you and everyone else possesses in CHTIGR20
  203. Play an instrument or object in the room of which there are many in CHTIGR20
  204. Play an instrument or object in the room not being used by others in CHTIGR20
  205. Play with utmost regard for yourself and others, play ... in CHTIGR20
  206. Play with utmost regard for yourself, not necessarily noticing other people in CHTIGR20
  207. Play according to the other instructions (or ... in CHTIGR20
  208. Play with little regard for yourself or others in CHTIGR20
  209. Play without regard for yourself, for others, or ... in CHTIGR20
  210. Play sounds which you know can be produced in CHTIGR20
  211. Play sounds which you think can be produced in CHTIGR20
  212. Play sounds of whose possibility of production you have doubts in CHTIGR20
  213. Play sounds which you know cannot be produced in CHTIGR20
  214. Play sounds not caring about whether ... in CHTIGR20
  215. Play or sing more continuously than someone near you in MPNR21
  216. Play or sing at lower pitch than someone near you in MPNR21
  217. Play or sing with purer timbre than someone near you. in MPNR21
  218. Play or sing more quietly than someone near you in MPNR21
  219. Pursue rhythm with melody in PDIR29
  220. Converse with chickens (real or imaginary) in DJTBR98
  221. Converse with ducks (real or imaginary) in DJTBR98
  222. Converse with pigeons (real or imaginary) in DJTBR98
  223. Make a noise without playing in CHHR90
  224. Play without making a noise in CHHR90
  225. Commentate on anything (something, many things) present in HMSCR104
  226. Hiss nonchalantly to yourself in DJ68
  227. Make sound, any sound, preferably very loud in FRLMDP47
  228. Six deep breaths in HSBR34
  229. Talk gibberish in FRR80
  230. Throw your sound into the pool in FRTSP65
  231. Time 30 seconds in Random score
  232. Time 5 seconds in Random score
  233. High sounds in Sea-game game
  234. Low sounds in Sea-game game
  235. Provoke comments in Sea-game game
  236. Annoy -> Seduce in Stay in Character: Chance Cards
  237. Collage of Sound in Stay in Character: Chance Cards
  238. Create a motif for the person you hurt ... in Stay in Character: Chance Cards
  239. Create something crazy and evolve it to ... in Stay in Character: Chance Cards
  240. Cringe in Stay in Character: Chance Cards
  241. Cute in Stay in Character: Chance Cards
  242. Destruction in Stay in Character: Chance Cards
  243. Discreetly copy player you think is playing best in Stay in Character: Chance Cards
  244. Do anything you want! in Stay in Character: Chance Cards
  245. Do one nonmusical thing while ... in Stay in Character: Chance Cards
  246. Do something drastic in Stay in Character: Chance Cards
  247. Do something that has nothing ... in Stay in Character: Chance Cards
  248. Don't use your hands ... in Stay in Character: Chance Cards
  249. Don't play anything in Stay in Character: Chance Cards
  250. Don't repeat any musical patterns in Stay in Character: Chance Cards
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