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📜 Clarke, David and Eric Clarke, eds. 2011. Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives. Oxford: Oxford University Press.
📜 Peñalba Acitores, Alicia. 2011. “Towards a theory of proprioception as a bodily basis for consciousness in music.” In Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives, edited by David Clarke and Eric Clarke, 215-230. Oxford: Oxford University Press.
📜 McGuiness, Andy and Katie Overy. 2011. “Music, consciousness, and the brain: music as shared experience of an embodied present.” In Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives, edited by David Clarke and Eric Clarke, 245-262. Oxford: Oxford University Press.
📜 Hogg, Bennett. 2011. “Enacting consciousness, intertextuality, and musical free improvisation: deconstructing mythologies and finding connections.” In Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives, edited by David Clarke and Eric Clarke, 79-94. Oxford: Oxford University Press.
📜 Godøy, Rolf Inge. 2011. “Sound-action awareness in music.” In Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives, edited by David Clarke and Eric Clarke, 231-244. Oxford: Oxford University Press.
📜 DeNora, Tia. 2011. “Practical consciousness and social relation in MusEcological perspective.” In Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives, edited by David Clarke and Eric Clarke, 309-326. Oxford: Oxford University Press.
📜 Biswas, Ansuman. 2011. “The music of what happens: mind, meditation, and music as movement.” In Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives, edited by David Clarke and Eric Clarke, 95-110. Oxford: Oxford University Press.
📜 Cheng, William. 2014. Sound Play: Video Games and the Musical Imagination. Oxford: Oxford University Press.


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